So many months and a dying computer later…we’re almost done with Spiritual Warfare!!!! But we still have to make one final push, isn’t that right, President Bill Pullman?
We’re going to live on! We’re going to survive! Today we celebrate our independence from shitty attempts at cashing in on the insular paranoia of religious fundamentalists!
Right. Well, last time NotLink barely survived his harrowing experience lost in the ocean (and this player’s efforts to murder him) and was inexplicably rewarded by God for his incredible stupidity. Leaving the beach, NotLink finds himself in the Woods, where he’s terrorized by purple archers, chainsaw-wielding goons, lumberjacks (naturally), and…uh, dragon-men?
It’s at this point I started to suspect the programmers were getting as tired of all this I was. The Woods are pretty much a speedbump. Even the dragon-man things, while unkillable even with the sword, move back and forth in very predictable patterns, making them just a nuisance. There’s also almost nothing to do, except loot somebody’s cabin.
To be fair, maybe loot is too strong a word because the only thing to take from this minimalist and unfurnished cabin with the head of some kind of deer-insect hybrid is a railroad ticket. Like I mentioned before, the railroad ticket is basically this game’s answer to the whistle in Zelda, only – of course – not as useful. Just as I had foreseen it, the ticket comes so late in the game it’s really not all that helpful anymore, except to backtrack to pick up keys or healing vials. Even then, you still have to trek all the way to and from the stations, one or two of which are definitely not in convenient locations (like I noted before, the station at the Shipyards comes after a long gauntlet of death!), so it’s not like it saves you all that much by way of time or avoiding enemies, unless you’re going all the way across Dawkinsville.
Once your Christian hero is done stealing the Ticket of Infinite Uses, you can enter yet another boss fight. In contrast to the last one, this one’s a cakewalk, but even then it managed to aggravate me.
See, the man on the left runs around, tossing bombs at you, which you have to hit back at him using the jawbone. His arsenal is limited, and once he runs out of bombs you win. The problem is, he always aims the bombs directly at you, so all you have to do is stand there and throw the boomerang at each bomb. It’s kind of like playing Pong when the paddles won’t move and the ball just bounces back and forth in a straight line. Your reward for this is a helmet which is supposed to protect you from explosions, which would probably seem more impressive if NotLink hadn’t stopped running into dynamite as a regular obstacle quite some time ago. Still, the helmet is the last piece of armor NotLink has been collecting that’s available in the overworld. If you go to the church after getting the helmet, you see…
To the prison, then! For some reason, one of the ways to get to the prison is take an underground passage directly south to the Church.
Naturally, at the prison NotLink is inexplicably attacked by both prisoners and guards. They move faster than any other enemy, which is expected this late in the game, but it’s a real problem when you walk into a new screen and suddenly three of them are right on top of you. But at least it makes it more satisfying when you throw your Exploding Sword of Oblivion in their faces. Like the Woods, once you get past what dicks the enemies are, the Prison area is unimpressive. Rather than a maze like the Warehouses, the Prison is very straightforward.
Besides picking up a hidden Heart Container, the only thing to do here is find an entrance to the final area, the “Demon Stronghold,” but let’s call it what the programmers were clearly thinking of: Hell. And let’s ignore the unfortunate implications in making the entrance to Hell a part of the Prison, hm? I mean, it’s not like this game is supposed to be about a religion founded in large part by people who were imprisoned for their beliefs.
Now it’s probably no surprise to anyone if I claim that the best part of the game is getting to go to Hell, but…it’s true.
I don’t know if programming this area fixed the game designers’ malaise, or if they just recognized that this one part of the game had way more potential than throwing fruit at atheists in a park, but, honestly, this is the closest the game ever gets to feeling like The Legend of Zelda by far. There are no half-assed “puzzles” that just slow you down for a few minutes. There is a maze, but it’s challenging instead of just frustrating like the maze in the Warehouse region. While the designs won’t win any prizes for 8-bit originality, they do show a little more thought than what we’ve seen before (although there is the occasional touch of laziness like seeing the generic door graphic right in the middle of Hell) and the designers did go through the trouble of splitting up Hell into several distinct regions. And even fighting the enemies, which include flying demons that spawn at random in certain screens and “invisible” demons who are marked by their footprints, just feels more fun than it had at any previous point of the game. There’s another boss fight with a demonic claw that throws fire enemies at you, but even then, it’s not yet another “puzzle fight” but an honest-to-God dodge-projectiles-and-other-enemies and fire-at-the-boss-until-it-dies confrontation.
Before I fall into the danger of becoming a Wisdom Tree apologist, let me point out there is a serious flaw here. The last piece of armor you need, the shield, is in Hell itself. That wouldn’t be an issue, except you need the shield. It makes you invulnerable to fireballs, and almost all the enemies – including the fast, randomly flying demons – throw them. It takes a while to get to the boss room holding the shield, even more so if you haven’t figured out how to navigate the maze yet, and I think it’s possible to accidentally skip the shield altogether (I didn’t do another playthrough to check to be sure, however, because…well, I don’t get paid for this!). Until then you’re probably going to take a lot of damage from the randomly appearing demons belting you with fireballs alone, even if you’ve become something of a Spiritual Warfare master (and God help you indeed if that’s the case). Maybe it’s a legitimate challenge, but for me it does feel like the programmers aren’t playing fair. At the least, it does make the God of the game into a sociopath who really is just getting his kicks off torturing this poor kid. “So, there’s this shield you need that will increase your chances of surviving Hell immeasurably. Oh, where is this shield? Buried deep in the bowels of Hell, of course!”
Oh, there is one more big problem here too. The music doesn’t change. It’s still the same cheerful, awful track that’s been playing throughout the rest of the game. Please tell me at least they put in new music for the final boss fight (spoiler: they don’t).
Then there’s the fact that there really isn’t even a build-up to the final boss. Hell’s sub-boss gets an intimidating entrance to its lair, but he doesn’t. It’s like they just ran out of room to keep designing Hell and dumped the final boss’ lair in.
So who is the final boss? The god Odin, fighting for the pagan cause? Christopher Hitchens’ soul, driven insane by fury at the knowledge that there is an afterlife after all? Or…
That’s right! It turns out God really is stacking the deck with this kid, sending him up against the Prince of Darkness himself. Okay, so the game never actually names its final boss as the Devil, but come on, it’s kind of obvious.
So how does a small boy stand up against the First of the Fallen? Satan fires flying demons at you constantly while a moving rock in a river of lava blocks your attacks. The necessary strategy is to try to stun the rock shield with blasts from your sword and when Satan stops, laughs, and changes color, you hit him with your fruit. It’s…actually not a bad challenge, and certainly more enjoyable than the tedious boss fights that came before. The one odd spot is that if you land a hit on Satan his arms and claws fly around chaotically.
Okay, I get that this whole game is an allegory about saving souls by converting people to Christianity, but, seriously, by ending the game with you fighting the Devil himself, NotLink is kind of topping Jesus here. How dare you have such a subtle yet outrageous message of blasphemy, Spiritual Warfare?
Anyway, what do you get for beating the Devil?
That’s it; just this one static scene. The game does reward you also by finally playing a different music track, but if you pause the game, it will revert back to the original infinite song of death. You don’t even have the option to restart the game from there. It just freezes on this screen. To be fair, though, it’s really not any worse than a lot of endings from licensed Nintendo games. Hell, this is poetry compared to the ending to the NES Ghostbusters.
Well, let’s end by thanking God for giving us Wisdom Tree and proving that pandering to demographics rarely does anybody any good. Also I sincerely thank God that this game didn’t take another page from Legend of Zelda by giving us a second quest. Hallelujah!